Staying On Course by Russ Cox

©2012 Russ Cox | Smiling Otis Studio

Since returning from the NESCBWI Conference in late April, I have been heeding the advice I have received from friends, agents, and art directors who have told me how much they love my drawings and sketches. With that advice, I have started playing around colorizing my sketches and drawings so that the looseness and energy does not get lost in the final art. I have been doing a doodle a day (and filled up one sketchbook since returning) which has lead me more down this path. This is the first "official" illustration I did with this looser style. The idea came from a conference doodle that I liked and thought would make a good promo piece.

I quickly worked out a composition based on the doodle. I wanted a slight over the head perspective that would focus on the characters and their "vehicles".

I then refined the sketch a bit more, developing the characters and the space crafts.

Once I got the characters heading the right direction, I did a final, tighter drawing that stilled kept the freshness of the previous sketches. This was scanned in at 300 dpi so that I could render it digitally. I left room at the top left for my contact info.

I imported the drawing into Painter. With the sketch layer set as the top most layer, and set to "multiply", I began laying in a background tone and blocks of color. Painter has this cool feature which will allow you to set your light direction as you can see with the gradated tone. Previously, I was doing a grayscale underpainting but I thought the color blocks would achieve the same effect. Plus I wanted to keep things spontaneous and fresh. Oh, I used the gouache brushes for this illustration.

With the color in place, highlights were added on a top layer. This allowed me to drop the white over top of the sketch as well.

I felt that the final illustration looked a little flat so I went back in and added some darker tones and lightened ares of the road and grass. I think it looks much better.

Since this is a postcard promo, I sketched the main characters from the front for the back of the card and will keep it as a black & white piece. All that is left to do is put it together and send it off for printing. 

Everyone put your hands together and give a great big cheer for Debbie Ohi as she will sharing something truly amazing on her post in two weeks. Thanks for reading and make sure to check out the other posts from my fellow Pixel Shavers.

Ciao,

Russ

www.smilingotis.com
Smiling Otis Facebook Fan Page
Smiling Otis Studio Blog

Congrats to Russ Cox and Hazel Mitchell on their awards from NESCBWI!

I'm interrupting the usual Pixel Shavings illustration process blog postings to post some special news about two of our members, Russ Cox and Hazel Mitchell. Both came back with awards from the New England SCBWI Conference!

Congrats to Hazel on her second-place win in the People's Choice Award with her "Boy and World" image:

Hazel Mitchell with her print and NESCBWI award.

You can read Hazel's post about the NESCBWI event on her blog.

And congrats to Russ, who won THREE (!!) first-place awards at the conference with the Mother Goose piece he posted about in Pixel Shavings last week:

©2012 Russ Cox.

Russ won first place in the "Published", "People's Choice", and "The Richard Michelson Emerging Artist" categories, and his print will be hanging in the DZain Gallery and the R. Michelson Galleries in Massachusetts.

You can read Russ's post about the event in his blog. Russ also posted about the critique he received from HarperCollins creative director Martha Rago...fascinating insights, and I strongly urge illustrators to read his post.

I've already heard so many good things about the NESCBWI conference, but both Russ's and Hazel's posts (plus everyone's #nescbwi12 posts on Twitter) have convinced me that I really need to try attending this event next year. According to Harold Underdown, the event is scheduled for May 2nd weekend in 2013, so I've marked it in my calendar.

Hazel & Russ with illustrator pals at NESCBWI

Next up: the fabulous Fred Koehler, whose first picture book (Dad's Bad Day) launches in Spring 2014 from Penguin USA.

- Debbie Ridpath Ohi - Twitter: @inkyelbows

Inkygirl.com: An Illustrated Guide For Those Who Write & Illustrate For Young People

From Chicken Scratch to Final by Russ Cox

All images © 2012 Russ Cox | Smiling Otis Studio

Hello everyone! For my post I thought I would share how I developed the idea for a poster contest. Sometimes an idea gets stuck in your head and you need to pursue all avenues to see if it is a good one. This illustration was created for the NESCBWI Conference poster contest. The theme for this year's poster is "A Whole New World". The idea that hit me right away was to use Mother Goose, since she is a standard symbol for children's books and stories, using an iPad which is being used more and more by children to read and interact with stories. 

Originally I wanted to use other iconic characters from children's books. The first sketch shows Mother Goose with Max (Where The Wild Things Are), Pinocchio, and The Three Little Pigs. I liked the idea of them being crowded around the iPad but the overall composition was too busy.

The next idea was a straight on view. I felt it is too direct and lacked a warmth that was needed to tie the "old" and "new" together. You can see the little doodles on the outside of the sketch as I played with composition. At one point, the iPad was very large with the characters staring at it. That composition had too much of a "Big Brother" feel to it.

I went back to Mother Goose as the focal point and had the characters sitting around her and the iPad as if she was reading to them. This was getting better but it lacked the interaction I felt was needed and it needed everyone viewing the device.

Another idea for this concept was if I made Mother Goose a human, riding on a goose with the iPad. Compositionally it was good but then it looked like more of her using a GPS than reading on the device. In the bottom corner, I did a little doodle where she was back to being a goose and facing left. Having her facing left was like she was not ready to move forward but secretly loved the iPad. I moved forward with this idea.

I did a tighter sketch of the idea but added Hickory Dickory, along with the mouse,  to symbolize time and Humpty Dumpty to represent the fragility of embracing digital stories while being true to books and being scared of the new technology.

The above sketches where drawn separately so I could move things around in Photoshop to get the scale and placement to my liking. Instead of clouds in the background that where in the original sketch, I decided to have a book case in the background. This warmed up the tone of the illustration and help strengthen the concept.

Here is the final illustration. I was quite happy with the final and hopes it captures the theme.

Be sure to check back in two weeks for the marvelous Debbie Ohi!

You can view more of my work at:

www.smilingotis.com
Smiling Otis Facebook Fan Page
Smiling Otis Studio Blog

The Remake of Mike Mulligan And His Steam Shovel by Russ Cox

Like Hazel's posting last week, I redid a classic children's book cover for the NESCBWI conference over the weekend. It was very difficult to choose a cover from the thousands of possibilities. After doing some searches on titles to jog my memory, I rediscovered the classic Mike Mulligan And His Steam Shovel by Virginia Lee Burton which I loved as a kid. Seeing the original cover after all of these years brought back many fond memories of the book. I thought the story was also a good fit for my style.
 

 
©2011 Russ Cox/Smiling Otis Studio

   ©2011 Russ Cox/Smiling Otis Studio

 What I am going to fiocus on this week is how I developed the cover concept. I start out with a few quick thumbnails to get some form of visuals and composition flowing. Since we had to deal with the book title, we had to incorporate that into the cover redesign.

 

  ©2011 Russ Cox/Smiling Otis Studio

 What I did next was to to take a thumbnail that I liked and do a larger rough. This helped me define placement of the objects while continuing the development the composition.

  ©2011 Russ Cox/Smiling Otis Studio

Originally I had Mary Anne facing to the right but I did not want the book title on the left of the page. I flipped the image and thought the overall layout had a friendlier look. Adding some of the modern equipment looking up at Mary Anne helped keep the focus on her face.

 ©2011 Russ Cox/Smiling Otis Studio

  Now that I had the composition to my liking, it was time to focus on developing and fine tuning the characters. As you could see in the the thumbnail stage, I had started thinking about Mary Anne's face during the process. I wanted to keep her antique and rustic looking with just a few touches of wear and tear but still happy to be working. She was the hardest to get just right since she is an iconic character and the focus of the book. Mike and the boy were a bit easier.

 

  ©2011 Russ Cox/Smiling Otis Studio

I like drawing the fine tuned elements separately so when I scan them in, I can move, resize, flip, etc. without having to redraw each time. This always saves me time but continuing the development the illustration. The above sketch was finally to my liking so it was brought into Adobe Illustrator and used as a template. I built the illustration in layers for easy editing and if I want to move things around.

 

   ©2011 Russ Cox/Smiling Otis Studio

This was the final piece.

Come back next week to see what the wonderful Debbie Ohi has created for you.

www.smilingotis.com

Blog

Facebook Fan Page

Charlotte's Web by Hazel Mitchell

This weekend it's the New England SCBWI (Society of Children's Book Writers and Illustrators) annual conference in Massachusetts. Every year there is a Poster Showcase Competition. This year the challenge is to redesign a landmark children's book cover. It was hard to choose! I decided on Charlotte's Web, because it involves animals and children in the drawing as well as being one of New England's most famous books.

GULP! There is, of course, a lot of responsibility that goes with reworking an already great cover. So I apologize to EB White and Garth Williams.

I decided to go for a much more emotionally driven version in an interior to create more drama. Here's the finished product:

It is created in pencil and then coloured in photoshop. I have also tried to stay much looser on the pencil work itself to create more feeling of movement - a trend I am working on in all my current illustrations.

Here's the process ....

 

First rough draft ....

More careful drawing ... note Fern's face shape changes and Wilbur is more pig like.

This is the the finished pencil drawing, then scanned into photoshop ...

Here it is during colouring ... I work as I would on a water colour from light to dark with few layers. I prefer to use the multiply setting on airbrush mostly and dodge/burn tools.

 

After feedback from crit friends I worked on the eyes, changing them back to my initial idea that she is glancing back. Also I got rid of her marshmallow mouth (see finished piece at top of this post). I also enhanced the shadows on the right with an extra layer.

The text was created separately in pencil, traced from a printout of a setup of the text on computer.

On a separate layer I dropped it in position and used the overlay and screen settings on brush to add colour and highlight the webs.

Here is the wonderful, wonderful original! I can't hope to come close to this classic, but I very much enjoyed working on the piece and will be interested to hear the reaction at NESCBWI.

Thanks for dropping by Pixel Shavings. Did you receive one of our postcards in the mail? If not please send us a message at pixelshavings@hotmail.com and we will get one in the post to you.

Call back next week to see what fab illustrator Russ Cox is up to!

Toodle Pip!
Hazel

see more of my work online at

http://hazelmitchell.com

copyright Hazel Mitchell 2011